Saturday, February 28, 2004

See Boy With Airplane:

http://www.tibordenagy.com/artists/janestreet_works2.html

*
a watercolor of Fastastic Shell

(not pictured)

*

Simone de Beauvoir:

Sunday, June 22nd, 1952

Yes, I think I'm off to a good start, and for at least two years. In one sense it makes me feel secure. That good little schoolgirl is still there inside me, worrying if I "sit doing nothing" for a week or two. A trip is a kind of activity, so I can give myself up to it without guilt. But in Paris I was just drifting, and I blamed myself for that. All the same, I haven't been completely wasting my time. Apart from writing this diary and correcting my proofs, I've amassed material for my book, reread my old novels and letters, jotted down some memories. I think I really will get through my ten pages a day now. There's something disheartening about doing it all so messily, but I can't afford to hold myself back by WRITING a single page before I've got the whole canvas blocked out. This is the way I worked on America Day by Day; though not on the Memoirs--those I wrote in little sections.

Sunday, February 22, 2004

This morning I've been looking at online pictures of Jane Freilicher's
work at The Tibor de Nagy gallery in New York. There seem to be
some very nice resonances with Georgia O'Keeffe in her new work
and my interest in her is piqued. Last night I admired some Chagall's,
a goodsized Miro, and another painting by an artist whose name I don't
recall. It was the image of a beautiful Native American woman
sitting on the branch of a tree beneath the stars at night. So lovely.

Now it is Sunday afternoon and I feel the urge to make something.
Here is the link to Jane Freilicher's "My Cubism:"


http://www.tibordenagy.com/artists/freilicher_works4.html

*

3:30pm
I've been reading the National Geographic of January about the healing radon mines
in Basin, Montana. Supposedly they ameliorate arthritis, rheumatism, and other problems having to do with old age.

*

On Seeing Larry Rivers' Washington Crossing the Delaware at The Museum of Modern Art

By Frank O'Hara

Now that our hero has come back to us
in his white pants and we know his nose
trembling like a flag under fire,
we see the calm cold river is supporting
our forces, the beautiful history.

To be more revolutionary than a nun
is our desire, to be secular and intimate
as, when sighting a redcoat, you smile
and pull the trigger. Anxieties
and animosities, flaming and feeding

on theoretical considerations and
the jealous spiritualities of the abstract
the robot? they're smoke, billows above
the physical event. They have burned up.
See how free we are! as a nation of persons.

Dear father of our country, so alive
you must have lied incessantly to be
immediate, here are your bones crossed
on my breast like a rusty flintlock,
a pirate's flag, bravely specific

and ever so light in the misty glare
of a crossing by water in winter to a shore
other than that the bridge reaches for.
Don't shoot until, the white of freedom glinting
on your gun barrel, you see the general fear.


Saturday, February 21, 2004

The Lady of Shallot

By Alfred Lord Tennyson


PART I

On either side the river lie
Long fields of barley and of rye,
That clothe the wold and meet the sky;
And thro' the field the road runs by
To many-tower'd Camelot;
And up and down the people go,
Gazing where the lilies blow
Round an island there below,
The island of Shalott.

Willows whiten, aspens quiver,
Little breezes dusk and shiver
Thro' the wave that runs for ever
By the island in the river
Flowing down to Camelot.
Four gray walls, and four gray towers,
Overlook a space of flowers,
And the silent isle imbowers
The Lady of Shalott.

By the margin, willow veil'd,
Slide the heavy barges trail'd
By slow horses; and unhail'd
The shallop flitteth silken-sail'd
Skimming down to Camelot:
But who hath seen her wave her hand?
Or at the casement seen her stand?
Or is she known in all the land,
The Lady of Shalott?

Only reapers, reaping early
In among the bearded barley,
Hear a song that echoes cheerly
From the river winding clearly,
Down to tower'd Camelot:
And by the moon the reaper weary,
Piling sheaves in uplands airy,
Listening, whispers " 'Tis the fairy
Lady of Shalott."

PART II

There she weaves by night and day
A magic web with colours gay.
She has heard a whisper say,
A curse is on her if she stay
To look down to Camelot.
She knows not what the curse may be,
And so she weaveth steadily,
And little other care hath she,
The Lady of Shalott.

And moving thro' a mirror clear
That hangs before her all the year,
Shadows of the world appear.
There she sees the highway near
Winding down to Camelot:
There the river eddy whirls,
And there the surly village-churls,
And the red cloaks of market girls,
Pass onward from Shalott.

Sometimes a troop of damsels glad,
An abbot on an ambling pad,
Sometimes a curly shepherd-lad,
Or long-hair'd page in crimson clad,
Goes by to tower'd Camelot;
And sometimes thro' the mirror blue
The knights come riding two and two:
She hath no loyal knight and true,
The Lady of Shalott.

But in her web she still delights
To weave the mirror's magic sights,
For often thro' the silent nights
A funeral, with plumes and lights
And music, went to Camelot:
Or when the moon was overhead,
Came two young lovers lately wed:
"I am half sick of shadows," said
The Lady of Shalott.

PART III

A bow-shot from her bower-eaves,
He rode between the barley-sheaves,
The sun came dazzling thro' the leaves,
And flamed upon the brazen greaves
Of bold Sir Lancelot.
A red-cross knight for ever kneel'd
To a lady in his shield,
That sparkled on the yellow field,
Beside remote Shalott.

The gemmy bridle glitter'd free,
Like to some branch of stars we see
Hung in the golden Galaxy.
The bridle bells rang merrily
As he rode down to Camelot:
And from his blazon'd baldric slung
A mighty silver bugle hung,
And as he rode his armour rung,
Beside remote Shalott.

All in the blue unclouded weather
Thick-jewell'd shone the saddle-leather,
The helmet and the helmet-feather
Burn'd like one burning flame together,
As he rode down to Camelot.
As often thro' the purple night,
Below the starry clusters bright,
Some bearded meteor, trailing light,
Moves over still Shalott.

His broad clear brow in sunlight glow'd;
On burnish'd hooves his war-horse trode;
From underneath his helmet flow'd
His coal-black curls as on he rode,
As he rode down to Camelot.
From the bank and from the river
He flash'd into the crystal mirror,
"Tirra lirra," by the river
Sang Sir Lancelot.

She left the web, she left the loom,
She made three paces thro' the room,
She saw the water-lily bloom,
She saw the helmet and the plume,
She look'd down to Camelot.
Out flew the web and floated wide;
The mirror crack'd from side to side;
"The curse is come upon me," cried
The Lady of Shalott.

PART IV

In the stormy east-wind straining,
The pale yellow woods were waning,
The broad stream in his banks complaining,
Heavily the low sky raining
Over tower'd Camelot;
Down she came and found a boat
Beneath a willow left afloat,
And round about the prow she wrote
The Lady of Shalott.

And down the river's dim expanse
Like some bold seër in a trance,
Seeing all his own mischance--
With a glassy countenance
Did she look to Camelot.
And at the closing of the day
She loosed the chain, and down she lay;
The broad stream bore her far away,
The Lady of Shalott.

Lying, robed in snowy white
That loosely flew to left and right--
The leaves upon her falling light--
Thro' the noises of the night
She floated down to Camelot:
And as the boat-head wound along
The willowy hills and fields among,
They heard her singing her last song,
The Lady of Shalott.

Heard a carol, mournful, holy,
Chanted loudly, chanted lowly,
Till her blood was frozen slowly,
And her eyes were darken'd wholly,
Turn'd to tower'd Camelot.
For ere she reach'd upon the tide
The first house by the water-side,
Singing in her song she died,
The Lady of Shalott.

Under tower and balcony,
By garden-wall and gallery,
A gleaming shape she floated by,
Dead-pale between the houses high,
Silent into Camelot.
Out upon the wharfs they came,
Knight and burgher, lord and dame,
And round the prow they read her name,
The Lady of Shalott.

Who is this? and what is here?
And in the lighted palace near
Died the sound of royal cheer;
And they cross'd themselves for fear,
All the knights at Camelot:
But Lancelot mused a little space;
He said, "She has a lovely face;
God in his mercy lend her grace,
The Lady of Shalott."

Wednesday, February 18, 2004

To her Coy Master

Had we but world enough, and time,
This coyness, lady, were no crime.
We would sit down and think which way
To walk, and pass our long love's day;
Thou by the Indian Ganges' side
Shouldst rubies find; I by the tide
Of Humber would complain. I would
Love you ten years before the Flood;
And you should, if you please, refuse
Till the conversion of the Jews.
My vegetable love should grow
Vaster than empires, and more slow.
An hundred years should go to praise
Thine eyes, and on thy forehead gaze;
Two hundred to adore each breast,
But thirty thousand to the rest;
An age at least to every part,
And the last age should show your heart.
For, lady, you deserve this state,
Nor would I love at lower rate.

But at my back I always hear
Time's winged chariot hurrying near;
And yonder all before us lie
Deserts of vast eternity.
Thy beauty shall no more be found,
Nor, in thy marble vault, shall sound
My echoing song; then worms shall try
That long preserv'd virginity,
And your quaint honour turn to dust,
And into ashes all my lust.
The grave's a fine and private place,
But none I think do there embrace.

Now therefore, while the youthful hue
Sits on thy skin like morning dew,
And while thy willing soul transpires
At every pore with instant fires,
Now let us sport us while we may;
And now, like am'rous birds of prey,
Rather at once our time devour,
Than languish in his slow-chapp'd power.
Let us roll all our strength, and all
Our sweetness, up into one ball;
And tear our pleasures with rough strife
Thorough the iron gates of life.
Thus, though we cannot make our sun
Stand still, yet we will make him run.


Tuesday, February 17, 2004

One entry found for aplomb.


Main Entry: aplomb
Pronunciation: &-'pläm, -'pl&m
Function: noun
Etymology: French, literally, perpendicularity, from Middle French, from a plomb, literally, according to the plummet
: complete and confident composure or self-assurance : POISE
synonym see CONFIDENCE

Monday, February 02, 2004

I’ve been reading Jim Harrison’s short novella “A Woman Lit by Fireflies” but have not yet finished, so suddenly dismayed am I by my current un-status in society. Edna O’Brien what say you?

Here are some of the headlines of today’s (Saturday, January 31, 2004) New York Times:

British and French Halt 5 Flights to U.S. Over Security Concerns

Dowd: Mirror Imaging in Iraq

Uut and Uup Add Their Atomic Mass to Periodic Table

I went to see Girl With a Pearl Earring last night; my friend Mary bought my ticket. Scarlett Johannsson is gorgeous. But I wish her character would have had more of a personality in the movie. She was so bland.

“The mistress is pregnant again,” the rotund, rosycheeked maid said as she picked her teeth with a piece of straw in Girl With a Pearl Earring. “But she just had a baby!” Scarlett Johannsson’s character replied. “Men,” the rotund maid answered. “What can you do?”

Then I gave Megan a birthday present of two postcards I made for her. She loved them, of course. Novelty.

The first postcard was an elegant adaptation of the stylized bust of a woman and the suggestion of a man kissing her neck — that done in India Ink. The second postcard was an adaptation of a drawing from the 2000 Whitney Biennial Catalogue—a drawing of three woodsmen with mouths agape and three times larger than bodies, shouting “VAVOOM,” the words “Please remember to vote” printed neatly at the bottom. Megan let me borrow her Paul Klee calendar so last night I did a watercolor reproduction of his “Fightscene from the comical-fantastical opera The Seafarer.”

You can look at it here (on a website I found by a girl in Kyoto!)

http://www.pn.scphys.kyoto-u.ac.jp/~naruki/art/Klee.html

I am suddenly reminded of Mark who had the great luck of visiting Iceland in August with his father (the hottest part of the Michigan summer), and was reading The Sagas of Icelanders in preparation. He told me that there was an Icelandic king who reigned with an iron fist and if he heard that anyone made fun of him, the king would go to their house and kill them.

S is coming from Saginaw this weekend and I am going to have coffee with her and K tomorrow afternoon. I’m excited. (So much for that: I was in bed with the flu)

I miss Cristina. Cristina, write to me this instant! I don’t care if you are in Taipei!

(a picture of The Grand Hotel in Taipei

http://www.asiatravel.com/taiwan/grand/index.html

Did I mention I would like to visit Georgia O’Keeffe’s Ghost Ranch for Spring Break?

(a picture of Ghost Ranch

http://www.johnmaclean.com/ghostranch/pages/253.html

Or Bellows Beach in Hawaii:

http://www.hawaiionthebeach.com/

And now the melodious sound of… bagpipes.